Sony α6600 Premium E-mount APS-C Camera With Zoom Lens - ILCE6600M/B
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Unparalleled AF performance, the key to beautiful shots
Fast and accurate autofocus captures fleeting moments in stunning detail, thanks to a combination of innovative Sony technologies. A total of 425 phase-detection AF points work in conjunction with contrast-detection AF to achieve a remarkable 0.02-s speed, while High-density AF Tracking Technology follows even erratically moving subjects. [1] Phase-detection AF coverage (425 points) [2] Contrast-detection AF coverage (425 points)
Real-time Tracking holds the focus on tracked subjects
When you're tracking a fast-moving subject, the camera's motion tracker uses an enhanced subject recognition algorithm (AI) that draws on colour, pattern (brightness), distance (depth) and face/eye information to recognize, and maintain focus on, your subject. (1) Face [AI] (2) Eye [AI] (3) Colour (4) Pattern (5) Distance (6) Subject recognition algorithm
Enhanced Real-time Eye AF supports portrait shooting
Real-time Eye AF detects and automatically focuses on the eyes of your subject when you half-press the shutter, and you can even prioritize your subject's left or right eye. When AF-C is set, it maintains a stable focus even when the face is partially hidden or backlit, or the subject is facing downward.
Real-time Eye AF for animal
The technology used in Real-time Eye AF has been adapted to support animal as well as human. When activated, this provides fast automatic detection and tracking of animals’ eyes, with precise focus that had been difficult to achieve otherwise, all to give you great pet portraits and wildlife shots.
High speed continuous shooting with AF/AE tracking
Capture all the action with continuous shooting at up to 11fps. Even when using silent shutter, or the live-view mode, up to 8fps is possible. Display lag has been minimized, and up to 116 JPEG (Standard) images can be shot in each burst, with group display available in the playback mode.
Accurate autofocus in dim lighting
Highly accurate autofocus is possible even in dark settings, thanks to the camera's advanced AF algorithm. High AF sensitivity means reliable AF-S auto-focus all the way down to EV -2.
Focus Magnifier for finer focus adjustment in both MF/AF modes
When extra-accurate focus is called for, such as when you're taking macro shots, you can display a magnified view of the general area you want to focus on, then finely adjust the exact point of focus using the touchscreen or the focus point selector.
Easy manual focus with a clearly visible peaking function
The camera's peaking function colour-highlights the most sharply focused section of the entire image area when you're using manual focus. Now blue has been added to the display's other peaking colours (red, yellow and white) to improve the visibility of in-focus areas when you're doing the delicate focusing required for macro or portrait shooting.
Built-in 5-axis optical image stabilization
The 5-axis in-body optical image stabilization mechanism used on our acclaimed full-frame cameras has been adapted for use as a stabilization unit for the APS-C sensor on this model. This system compensates for camera shake along five different axes – pitch and yaw, horizontal and vertical, and rotational (roll) – to ensure steadier still images and movies during hand-held shooting. A highly accurate gyro sensor provides an image stabilization effect equivalent to a shutter speed 5 steps faster. The feature allows you to zoom in on far-off subjects, snap detailed close-ups, capture night scenes and more ― all with minimal blur from camera shake.
An innovative image-processing system
The camera's APS-C size, 24.2-megapixel Exmor™ CMOS sensor provides a wide sensitivity range and excellent low-noise performance. In conjunction with the latest-generation BIONZ X™ image processing engine, it delivers beautiful, high-resolution images with superb image clarity and texture reproduction.
Extraordinary image quality, low noise and a wide ISO range
The standard ISO sensitivity range has been extended to ISO 100–32000 (expandable ISO 50–102400 for stills). Improved imaging algorithms, detail reproduction technology and area-division noise reduction result in more realistic textures, better detail in shadow regions, and more lifelike colours, including human skin tones and natural plant colours.
14-bit RAW output with rich tonal gradation
True 14-bit RAW images are delivered via a high-performance LSI and the BIONZ X image processor. To retain the smoothest, most natural tonal gradations, all processing occurs at 16-bit, preventing any dithering or processing errors from being introduced into the final 14-bit RAW image output. [1] Image sensor [2] The latest high-speed front-end LSI [a] 16-bit image processing
4K movie recording in high-bit-rate XAVC S format
Super 35-mm format, 4K movie recording with full pixel readout and no pixel binning allows oversampling of around 2.4x the image information needed for 4K (QFHD: 3,840 x 2,160). By downscaling from the equivalent of 6K resolution, captured videos benefit from even more realism and depth. The high-bit-rate (up to 100 Mbps for 4K 30p/24p) XAVC S video codec ensures professional quality images in a consumer-friendly format.
Precise AF tracking with Real-time Eye AF, for better movies
Fast Hybrid AF brings high speed, accuracy and tracking performance to meet the stringent autofocus demands of 4K movies. AF tracking sensitivity can be adjusted for either stable focus or responsive refocusing, depending on the nature of the scene, and Touch Tracking lets you initiate tracking of a moving subject simply by touching the LCD screen. Real-time Eye AF is now also available for movies.
S-Gamut/S-Log shooting
S-Log shooting gives you the flexibility to make more expressive movies by performing colour grading in post-production. The S-Log3 and S-Log2 gamma curves feature a wide dynamic range (up to 1,300% larger than Rec. 709) that can help minimize blown highlights and crushed shadows. The S-Log3 gamma setting also provides an impressive 14 stops of dynamic range.
Creative movie-making options
Interval Shooting with a set interval between 1 and 60 seconds can be performed within the camera and used to create a time-lapse movie on a PC. You can also view the images using a simple variable-speed preview function directly on the camera. Slow motion (up to 5x) and quick motion (up to 60x) can also be recorded directly on the camera with no post-processing required. Also, high-quality slow-motion movies can be created in post-production using high-speed Full HD recording at up to 120fps.
External mic and audio input plus headphone jack
External microphones can be attached via the microphone jack, or use line input via XLR connectors with the separately available XLR adaptor kit. This enables connection with various high-end microphones for professional-level audio. In addition, a headphone jack is available so you can monitor the audio on movies as you record them.
Sophisticated features for easier movie-making
The α6600 is ready for professional videography workflows, with clean HDMI output and REC Control, timecode (TC/UB), variable framerates and proxy recording. In addition, a range of functions are included to enhance movie recording accuracy, such as the display of overlay markers or gridlines, zebra exposure metering, or ISO values when shooting with ISO Auto.
High-capacity Z battery for long-duration shooting
To support longer shooting sessions, the α6600 uses the NP-FZ100 high-capacity battery previously introduced with many of our full-frame cameras, while retaining almost the same frontal-view dimensions as previous 6000-series models. Not only does it feature a total capacity around 2.2 times that of our standard battery, it also helps improve the grip ergonomics. The optional Multi Battery Adaptor Kit can accommodate up to four NP-FZ100 batteries for worry-free long-duration movie shooting.
Sturdy, durable construction for robust operation
The camera's low-vibration shutter mechanism is designed and tested to withstand around 200,000 shutter cycles, and the body, top cover, front cover, internal frame, and rear cover use a lightweight but highly rigid magnesium alloy. Major buttons and dials are sealed, and casing components have an interlocked double-layer structure to minimize dust and moisture.
Improved ergonomic grip
The thickness of the grip of the α6600 has been increased by 6.5 mm (compared to the previous model), and the area has been increased by 15%, to make it easier to grasp and hold. The construction material has also been upgraded for a more rigid feel, and the release button attachment angle has been altered for easier operation.
Custom functions for greater operability
Compared to the previous model, the camera has one additional Custom button (C button), bringing the total to four. Now 11 buttons (increased from ten) can be custom-assigned to any of 91 shooting or replay functions. Frequently used functions can also be assigned to the control dial and control wheel with My Dial. My Menu allows flexible assignment of 30 menu items, and the custom settings screen helps keep track of everything. Helpful guides for menu items are also available with a single button press on the menu screen.
Prioritized display of AF area and ISO display limit
On the AF area-setting screen, a new feature enables display of only the focus area types that you use frequently. Another new feature on the ISO setting screen displays only frequently used ISO ranges. This allows for more efficient settings adjustment while shooting. These features can also be used when "Switch Focus Area" is assigned to a Custom button.
Greater control over white balance settings
If set in advance, auto white balance can now be locked or unlocked at any time, for more consistent colour tones when there are multiple light sources. Custom setting of white balance has been simplified, and you can now select an AWB priority setting when shooting with incandescent lighting—either warmer Atmosphere Priority or White Priority for purer whites.
Easier ratings and protection from deletion
In playback mode, still images can be given a rating or protected from deletion. Both these functions can be accessed via pre-assigned custom keys.
Versatile flash functions
When shooting with compatible wireless flash units, rear-curtain sync and slow sync can be selected, increasing your creative options for lighting.
1:1 aspect ratio ideal for social-media shots
In addition to 3:2 and 16:9 aspect (width-to-height) ratios, you can also select a 1:1 aspect ratio – ideal for sharing images on social media platforms. This means that you no longer need to hand-trim your images after shooting to prepare to post them on social media.
Smooth display on the OLED viewfinder
The high-contrast, high-resolution XGA OLED Tru-Finder™ provides high visibility, fine details even in dark areas, accurate colours and smooth motion, with display framerate options of either 60fps or 120fps. Standard and High quality settings are available for both the viewfinder and the LCD monitor.
180°-tiltable LCD screen with versatile touch functions
The high-resolution, 921k-dot LCD has a 3.0-type screen and tilts up a full 180° and down by 74°, for easy framing of selfie shots and vlogs. The LCD's intuitive touch operations include Touch Pad (to smoothly move the focus point), Touch Focus (to set the focus point), Touch Shutter (to release the shutter), and Touch Tracking (to activate Real-Time AF).
One-touch remote, One-touch sharing, Location Information Link
The One-touch remote feature turns your mobile device into a viewfinder and remote control. One-touch sharing allows photos and videos to be transferred to your device for social media sharing. The camera can also use your mobile phone's location data via Bluetooth® to geo-tag your images. (These mobile device features are available via Sony's Imaging Edge Mobile app.)
Imaging Edge desktop applications
Elevate your photography with the Imaging Edge™ desktop applications. Use “Remote” to control and monitor shooting live on your PC screen; “Viewer” to quickly preview, rate and select photos from large image libraries; and “Edit” to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.
Works with iMovie and Final Cut Pro X
This product is compatible with Final Cut Pro X and iMovie.
WHATS IN THE BOX | |
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What s In The Box | AC Adaptor: AC-UUD12Accessory shoe capBody capEyepiece cupLens capLens hoodLens rear capMicro USB cableRechargeable Battery: NP-FZ100SEL18135Shoulder strap |
Lens | |
Lens Compatibility | Sony E-mount lenses |
Lens Mount | E-mount |
IMAGE SENSOR | |
Aspect Ratio | 3:2 |
Number Of Pixels (Effective) | Approx. 24.2 megapixels |
Number of Pixels (total) | Approx. 25.0 megapixels |
Sensor Type | APS-C type (23.5 x 15.6 mm), Exmor CMOS sensor |
Anti-Dust System | Charge protection coating on optical filter and image sensor shift mechanism |
Recording (still images) | |
Recording Format | JPEG (DCF Ver. 2.0, Exif Ver.2.31, MPF Baseline compliant), RAW (Sony ARW 2.3 format) |
Image Size (pixels) [3:2] | L: 6000 x 4000 (24M), M: 4240 x 2832 (12M), S: 3008 x 2000 (6.0M) |
Image Size (pixels) [16:9] | L: 6000 x 3376 (20M), M: 4240 x 2400 (10M), S: 3008 x 1688 (5.1M) |
IMAGE SIZE (PIXELS) [1:1] | L: 4000 x 4000 (16M), M: 2832 x 2832 (8.0M), S: 2000 x 2000 (4.0M) |
Image Size (pixels) [Sweep Panorama] | - |
Image Quality Modes | RAW, RAW & JPEG (Extra fine, Fine, Standard), JPEG (Extra fine, Fine, Standard) |
Picture Effect | 8 types: Posterization (Colour), Posterization (B/W), Pop Colour, Retro Photo, Partial Colour (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), Soft High-key, Rich-tone Monochrome |
Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps)) |
Picture Profile | Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset |
Dynamic Range Functions | Off, Dynamic Range Optimizer (Auto/Level (1-5)), Auto High Dynamic Range (Auto Exposure Difference, Exposure Difference Level (1-6 EV, 1.0 EV step)) |
Colour Space | sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Colour |
14bit RAW | Yes |
Uncompressed RAW | - |
Recording (movie) | |
Recording Format | XAVC S, AVCHD format Ver. 2.0 compliant |
Video Compression | XAVC S: MPEG-4 AVC/H.264, AVCHD: MPEG-4 AVC/H.264 |
Audio Recording Format | XAVC S: LPCM 2ch, AVCHD: Dolby Digital (AC-3) 2ch, Dolby Digital Stereo Creator |
Colour Space | xvYCC standard (x.v.Colour when connected via HDMI cable) compatible with TRILUMINOS Colour |
Picture Effect | Posterization (Colour), Posterization (B/W), Pop Colour, Retro Photo, Partial Colour (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), Soft High-key |
Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black and White, Sepia, Style Box (1–6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps)) |
Picture Profile | Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset |
Image Size (pixels), NTSC | XAVC S 4K: 3840 x 2160 (30p, 100M), 3840 x 2160 (24p, 100M), 3840 x 2160 (30p, 60M), 3840 x 2160 (24p, 60M), XAVC S HD: 1920 x 1080 (120p, 100 M), 1920 x 1080 (120p, 60 M), 1920 x 1080 (60p, 50 M), 1920 x 1080 (30p, 50 M), 1920 x 1080 (24p, 50 M), 1920 x 1080 (60p, 25 M), 1920 x 1080 (30p, 16 M), AVCHD: 1920 x 1080 (60i, 24 M, FX), 1920 x 1080 (60i, 17 M, FH) |
Image Size (pixels), PAL | XAVC S 4K: 3840 x 2160 (25p, 100M), 3840 x 2160 (25p, 60M), XAVC S HD: 1920 x 1080 (100p, 100M), 1920 x 1080 (100p, 60M), 1920 x 1080 (50p, 50M), 1920 x 1080 (25p, 50M), 1920 x 1080 (50p, 25M), 1920 x 1080 (25p, 16M), AVCHD: 1920 x 1080 (50i, 24M, FX), 1920 x 1080 (50i, 17M, FH) |
Slow and quick motion (shooting frame rate) | NTSC mode: 1fps, 2fps, 4fps, 8fps ,15fps, 30fps, 60fps, 120fps, PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps |
Slow and quick motion (recording frame rate and image size) | NTSC mode: 1920 x 1080 (60p, 30p, 24p), PAL mode: 1920 x 1080 (50p, 25p) |
Movie Functions | Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (Approx. 9 Mbps)), TC/UB (TC Preset/UB Preset/TC Format/TC Run/TC Make/UB Time Rec), Auto Slow Shutter, REC Control, Clean HDMI Info. (ON/OFF selectable), Gamma Disp. Assist |
HDMI Output | 3840 x 2160 (30p), 3840 x 2160 (25p), 3840 x 2160 (24p), 1920 x 1080 (60p), 1920 x 1080 (60i), 1920 x 1080 (50p), 1920 x 1080 (50i), 1920 x 1080 (24p), YCbCr 4:2:2 8bit / RGB 8bit |
RECORDING SYSTEM | |
Location information Link from smartphone | Yes |
Media | Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick Micro (M2), SD memory card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant), microSD memory card, microSDHC memory card, microSDXC memory card |
Memory Card Slot | Multi slot for Memory Stick Duo/SD memory card |
Noise Reduction | |
Noise Reduction | Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal/Low/Off |
Multi Frame NR | Auto/ISO 100 to 102400 |
White Balance | |
White Balance Modes | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent (Warm White / Cool White / Day White / Daylight) / Flash /Underwater/ Colour Temperature (2500 to 9900K) and colour filter (G7 to M7 (57-step), A7 to B7 (29-step)) / Custom |
AWB Micro Adjustment | Yes (G7 to M7, 57-step) (A7 to B7, 29-step) |
Priority Set in AWB | Yes |
SHUTTER AWB LOCK | Yes (Shut. Halfway Down/Cont. Shooting/Off) |
Bracketing | 3 frames, H/L selectable |
Focus | |
Focus Type | Fast Hybrid AF (phase-detection AF/contrast-detection AF) |
Focus Sensor | Exmor CMOS sensor |
Focus Point | 425 points (phase-detection AF)/425 points (contrast-detection AF) |
Focus Sensitivity Range | EV-2 to EV20 (ISO100 equivalent with F2.0 lens attached) |
Focus Mode | AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
Focus Area | Wide (425 points (phase-detection AF), 425 points (contrast-detection AF))/Zone/Centre/Flexible Spot (S/M/L)/Expanded Flexible Spot/Tracking (Wide/Zone/Centre/Flexible Spot (S/M/L)/Expanded Flexible Spot) |
Other Features | Eye-start AF (only with LA-EA2 or LA-EA4 attached (Sold separately)), Object Tracking, Eye AF (Still images): Human (Right/Left Eye Select)/Animal, Eye AF (Movie): Human (Right/Left Eye Select), AF micro adjustment (Sold separately), with LA-EA2 or LA-EA4, Predictive control, Focus lock, Swt.V/H AF Area, AF Area Regist., Circ. of Focus Point |
AF Illuminator | Yes (with Built-in LED type) |
AF Illuminator Range | Approx. 0.3 - approx. 3.0m (with E PZ 16-50mm F3.5-5.6 OSS lens attached) |
Focus type with LA-EA3 (Sold separately) | phase-detection |
Exposure | |
Metering Type | 1200-zone evaluative metering |
Metering Sensor | Exmor CMOS sensor |
Metering Sensitivity | EV-2 to EV20 (at ISO100 equivalent with F2.0 lens attached) |
Metering Mode | Multi-segment, Centre-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight |
Exposure Compensation | +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) |
Exposure Bracketing | Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, or 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, or 1.0 EV increments. |
AE Lock | Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto) |
Exposure Modes | AUTO (iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ), Scene Selection |
ISO Sensitivity (Recommended Exposure Index) | Still images: ISO 100–32000 ((ISO numbers up from ISO 50 to ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100–6400, selectable lower limit and upper limit) Movies: ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit) |
Scene Selection | Portrait, Sports Action, Macro, Landscape, Sunset, Night Scene, Hand-held Twilight, Night Portrait, Anti Motion Blur |
Viewfinder | |
Viewfinder Type | 1.0 cm (0.39 type) electronic viewfinder (colour) |
Number of Dots | 2,359,296 dots |
Brightness Control (Viewfinder) | Auto/Manual (5 steps between -2 and +2) |
Colour Temperature Control | Manual (5 steps) |
Field Coverage | 100% |
Magnification | Approx. 1.07x (35mm camera equivalent: Approx. 0.70x) with 50mm lens at infinity, -1m-1 |
Dioptre Adjustment | -4.0 – +3.0 m-1 |
Eye Point | Approx. 23 mm from the eyepiece lens, 21.4 mm from the eyepiece frame at -1 m-1 (CIPA standard) |
Finder Frame Rate Selection | NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps |
Display Contents | Graphic Display, Display All Info., No Disp. Info., Digital Level Gauge, Histogram |
LCD Screen | |
Monitor Type | 7.5cm (3.0-type) wide type TFT |
Number of Dots | 921,600 dots |
Touch Panel | Yes |
Brightness Control | Manual (5 steps between -2 and +2), Sunny Weather mode |
Adjustable Angle | Up by approx. 180 degrees, Down by approx. 74 degrees |
Real-time Image Adjustment Display (LCD) | On/Off |
Quick Navi | Yes |
Focus Magnifier | Yes Focus Magnifier (5.9x, 11.7x) |
Zebra | Yes (selectable level + range or lower limit as custom setting) |
Peaking MF | Yes (Level setting: High/Mid/Low/Off, Colour: Red/Yellow/Blue/White) |
Others | WhiteMagic, Grid Line, (Rule of 3rds Grid/Square Grid/Diag. + Square Grid/Off), Movie Marker, (Centre/Aspect/Safety Zone/Guideframe) |
Display Content | Graphic Display, Display All Info, No Disp. Info, Digital Level Gauge, Histogram, For viewfinder, Monitor Off |
Other Features | |
PlayMemories Camera Apps | - |
Clear Image Zoom | Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD) |
Digital Zoom | Smart zoom (Still images): M: Approx. 1.4x, S: Approx. 2x, Digital zoom (Still images): L: Approx. 4x, M: Approx. 5.7x, S: Approx. 8x, Digital zoom (Movie): Approx. 4x |
Face Detection | Modes: Face Priority in AF (On/Off), Face Priority in Multi Metering (On/Off), Regist. Faces Priority (On/Off), Face registration, Max. number of detectable: 8 faces |
Self-Portrait Self-Timer | Yes |
Others | Interval Recording (1–60-s interval, 1–9,999 shots, AE lock/AE tracking (High/Mid/Low)), Touch Shutter, Touch Focus: Yes (Touch Focus/Touch Pad/Touch Tracking), ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Help guide, Area Setting, Shop Front Mode, Zoom Ring Rotate |
Shutter | |
Type | Electronically-controlled, vertical-traverse, focal-plane type |
Shutter Speed | Still images: 1/4,000 to 30 seconds, Bulb, Movies: 1/4000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) |
Flash Sync. Speed | 1/160 s |
Electronic Front Curtain Shutter | Yes (ON/OFF) |
Silent Shooting | Yes (ON/OFF) |
Image Stabilization | |
Type | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
Compensation Effect | 5.0 steps (based on CIPA standard. Pitch/yaw shake only. With Sonnar T FE 55 mm F1.8 ZA lens mounted. Long exposure NR off.) |
Flash Control | |
Type | - |
Guide No. | - |
Flash coverage | - |
Control | Pre-flash TTL |
Flash Compensation | +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps) |
Flash Bracketing | 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, 1.0 EV increments. |
Flash Modes | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless control, Hi-speed sync |
Recycling Time | - |
External Flash Compatibility | Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe |
FE Level Lock | Yes |
Wireless Control | Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. /Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.) |
Drive | |
Drive Modes | Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
Continuous Drive Speed (approx. max.) | Continuous shooting: Hi+: 11 fps, Hi: 8fps, Mid: 6fps, Lo: 3fps |
No. of recordable frames (approx.) | JPEG Extra fine L: 99 frames, JPEG Fine L: 115 frames, JPEG Standard L: 116 frames, RAW: 46 frames, RAW and JPG: 44 frames |
Self-Timer | 10 s delay/5 s delay/2 s delay/Continuous self-timer (3 frames after 10 s delay/5 frames after 10 s delay/3 frames after 5 s delay/5 frames after 5 s delay/3 frames after 2 s delay/5 frames after 2 s delay)/Bracketing self-timer (Off/2 s delay/5 s delay/10 s delay) |
Pixel Shift Multi Shooting | - |
Playback | |
Photo Capture | Yes |
Modes | Single (with or without shooting information Y RGB histogram and highlight/shadow warning), 12/30-frame index view, Enlarged display mode (L: 16.7x, M: 11.8x, S: 8.3x), Auto Review (10/5/2 sec, Off), Image orientation (Auto/Manual/Off selectable), Slideshow, Folder selection (Date/ Still/ AVCHD/XAVC S HD/XAVC S 4K), Forward/Rewind (movie), Delete, Protect, Rating, Display as group |
Interface | |
PC Interface | Mass-storage, MTP, PC remote |
Multi/Micro USB Terminal | Yes |
NFC | Yes (NFC forum Type 3 Tag compatible), One-touch remote, One-touch sharing |
Wireless LAN (Built-In) | Yes (Wi-Fi Compatible, IEEE 802.11b/g/n (2.4 GHz band)), View on Smartphone, Remote control via Smartphone, Send to Computer, View on TV |
Bluetooth | Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band)) |
HD Output | HDMI micro connector (Type-D), BRAVIA Sync (Control for HDMI), PhotoTV HD, 4K movie output/4K still image PB |
Multi Interface Shoe | Yes |
Mic Terminal | Yes (3.5 mm Stereo minijack) |
DC IN Terminal | - |
Sync Terminal | - |
Remote Control (Wireless) | Yes (IR remote control/Bluetooth remote control) |
Headphone Terminal | Yes |
Vertical Grip Connector | - |
PC Remote | Yes |
Audio | |
Microphone | Built-in, stereo |
Speaker | Built-in, monaural |
Compatible Standards | Exif Print, Print Image Matching III, DPOF setting |
Custom function | |
Type | Custom key settings, Programmable Setting (Body 2 sets /memory card 4 sets), My Menu, My Dial Settings, Reg Cust Shoot Set |
Lens Compensation | |
Setting | Peripheral Shading, Chromatic Aberration, Distortion |
Power | |
Supplied Battery | One rechargeable battery pack NP-FZ100 |
Battery Life (Still Images) | Approx. 720 shots (Viewfinder) / Approx. 810 shots (LCD monitor) (CIPA standard) |
Battery Life (Movie, actual recording) | Approx. 140 min (Viewfinder) / Approx. 150 min (LCD monitor) (CIPA standard) |
Battery Life (Movie, continuous recording) | Approx. 250 min (Viewfinder) / Approx. 250 min (LCD monitor) (CIPA standard) |
Internal Battery Charge | Yes |
External Power | - |
Power consumption with Viewfinder | Still images: approx. 2.7 W (with E 18–135-mm F3.5–5.6 OSS lens attached), Movies: approx. 3.9 W (with E 18–135-mm F3.5–5.6 OSS lens attached) |
Power consumption with LCD screen | Still images: approx. 2.4 W (with E 18–135-mm F3.5–5.6 OSS lens attached), Movies: approx. 3.9 W (with E 18–135-mm F3.5–5.6 OSS lens attached) |
USB Power Supply | Yes |
OTHERS | |
Operating Temperature | 32–104 degrees F / 0–40 degrees C |
Size & Weight | |
Weight (with battery and memory card included) | Approx. 503 g, Approx. 1lb 1.8 oz |
Dimensions (W x H x D) | Approx. 120.0 mm x 66.9 mm x 69.3 mm, Approx. 120.0 mm x 66.9 mm x 59.0 mm (from grip to monitor) / Approx. 4-3/4 x 2-3/4 x 2-3/4, Approx. 4-3/4 x 2-3/4 x 2-3/8 inches (from grip to monitor) |